Piero Verni, Vicky Sevegnani, " Tibet. Le danze rituali dei Lama ", Nardii Press, Firenze 1990
In qualche modo "garantita" da una presentazione the Dalai Lama, this elegant publication brings together yet another, a valuable report by Piero Verni the Land of Snow .
This time, partly because of the subject in a spectacular way that is treated, the work of writing is very suitably accompanied by beautiful photographs by Vicky Sevegnani . After an introduction to Tibetan culture and religion, interrelated to such an extent that they can ask whether this distinction is legitimate, you go to the specific topic of the book, the sacred dance or cham.
The description of costumes, masks, musical instruments and "scene" is made even more attractive by polychromatic images. The cham usually takes place in the courtyards of gompa, in front of people and therefore as public ceremony. The depth symbolic level, then, although difficult to decode literal supports this process, because it alludes to the archetypal experiences that have a value in a sense metaculturale.
We are faced, in short, a text that approaches the Tibet and that, in the words of the Dalai Lama himself , ... consetirà react better to a thrilling aspect of the beautiful, but unfortunately severely threatened Tibetan culture. "
In qualche modo "garantita" da una presentazione the Dalai Lama, this elegant publication brings together yet another, a valuable report by Piero Verni the Land of Snow .
This time, partly because of the subject in a spectacular way that is treated, the work of writing is very suitably accompanied by beautiful photographs by Vicky Sevegnani . After an introduction to Tibetan culture and religion, interrelated to such an extent that they can ask whether this distinction is legitimate, you go to the specific topic of the book, the sacred dance or cham.
The description of costumes, masks, musical instruments and "scene" is made even more attractive by polychromatic images. The cham usually takes place in the courtyards of gompa, in front of people and therefore as public ceremony. The depth symbolic level, then, although difficult to decode literal supports this process, because it alludes to the archetypal experiences that have a value in a sense metaculturale.
We are faced, in short, a text that approaches the Tibet and that, in the words of the Dalai Lama himself , ... consetirà react better to a thrilling aspect of the beautiful, but unfortunately severely threatened Tibetan culture. "
Luigi Turinese
In foto: " Piede di gigante "
Recensione apparsa nella rubrica "Libri" di " PARAMITA , Quaderni di Buddhismo ", Anno X, n. 38, Aprile-Giugno 1991
In foto: " Piede di gigante "
Recensione apparsa nella rubrica "Libri" di " PARAMITA , Quaderni di Buddhismo ", Anno X, n. 38, Aprile-Giugno 1991
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