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Culicchi and LITTIZZETTO - Mauritius Blatt, The Last of the Mohicans disk

Maureen Blatt should be just a nice guy. We had already taken from the tasty pills of his hilarious blog (do not miss, here ) and confirms it's approach to writing in her first book. The argument, camouflaged behind the playful title, is the host of music lovers, ie the population that under normal garments, hides and deflected a fierce compulsion to purchase, collection and / or listening to music, preferably on vinyl and on systems that cost five salaries. Be careful, warns us Blatt, they are among us under the guise of the most honest and professional working fathers, and does so from its privileged observation tower a seller of a well-known shop in Turin. A cross between a crib and a picture of Bosch, the bestiary of music lovers has fixed his characters accept their existence with the dominant thought of the crooked music collection. And it is quite uncertain whether, as in Bosch, they are monsters or, indeed, harmless shepherds of Bethlehem and laundresses.

The book begins well, full of gags crackling, described with loving sarcasm Blatt, protagonists who see human figures, let's face it, we might as well be us. Out of the process of identification, however, the book begins to flood the reading gets tired and squares become progressively up to become repetitive indistinti. Ed è un peccato, perchè alcuni spunti sono veramente notevoli. 

Da eterno acquirente di dischi e da overquarantenne sabaudo imputo l'impasse a due fattori: il primo, e meno grave, è che nella focalizzazione di Blatto l'empatia che prova per i nevrotici clienti sia un pochettino spuria, e si sente netta la distanza tra il dotto entomologo e l'insettino sotto la lente d'ingrandimento. L'altro fattore, che crediamo sia la malattia esiziale del libro, è che va a cadere oltre la raccolta di aneddoti - si fosse fermato lì  sarebbe stato garbatissimo, al limite un po' ripetitivo - per, interpretiamo noi e magari sbagliamo, una recondita pretesa di essere un affresco della torinesità diverted. This is unfortunately a serious syndrome that afflicts most of the subalpine landscape of the scribes. Orphans of the award-winning firm Fruttero & Lucentini, all Culicchi and LITTIZZETTO and Gambarotta and ormezzani - see insert provincialissimo Torinosette - end up frutterolucentinare ad libitum, resulting in have a plethora of squared chestnut, coy of life Minimal Turin. But, alas, the American specialist was quite another thing.

ps: that surfs surfs you find only praise for the book, which multiply the readings and presentations. As the ship of fools (and how Barcarolo Lando Fiorini, we are a blog of music, for God's sake!) The albumbianco prosegue controcorrente. Olè!

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The LT's reviews - "Aesthetics and Modernism in China ', (ed.) G. Marchianò

AA.VV. " Estetica e Modernismo in Cina " (a cura di Grazia marchianò), Rubbettino Editore Soveria Mannelli (CZ) 1933
e
AA.VV., " Scritti italiani su NikolajRerich. Con inediti di Elena Ivanovna Rerich " (a cura di Grazia Marchianò), Rubbettino Editore, Soveria Mannelli (CZ)1993

Da una feconda collaborazione con la casa editrice Rubbettino e la professoressa Marchianò , insegnante universitaria di Estetica, nasce la prima collana italiana dedicata alle estetiche di Oriente e Occidente (" Saggi brevi di estetica comparata ").
I soggetti delle prime due uscite, both of great interest, could not be further apart, and promises, written by the same Marchianò , "on the direction of thought" we await with some curiosity. The term of

modernism means the movement of China's "new wave", suppressed in 1989 filodemocratrici together with the movements.
In the early eighties , by withdrawing from the government interdiction of aesthetic studies were initiated massive cultural exchanges with the 'West ; not only Hegel, but also Schopenhauer, Nietzsche , Freud, until recently considered "bourgeois counter-revolutionaries", they had found a place in the training of young Chinese intellectuals. As one critic naturalized Australian, Jose Nicolas in 1988 in Beijing "it seemed that every two people, one was an artist, and everyone else who merchant, who a Business for the merchant, who poet. be an artistic statement and the group was an affirmation of freedom (from the Introduction of G. Marchianò , p.. 6).

The "Italian Writings on Rerich " of Bazzarelli , Lopez, Spendel, Zolla make known an original thinker and a Russian artist, who is bitten between painting, philosophy and the esoteric in some ways recalling Gurdjieff, quite rightly known as Grace Marchianò in his post-faction (p. 129). How Gurdjieff was a "lieutenant" in Ouspenskji so Rerich ( 1874-1947) found his "double" in his wife Elena Ivanovna who assist him, especially in research on the Agni Yoga ( see the collection of reflections " World fire"), in which the reference to the Vedic rituals acts as a support for a genuine way to the Russian ' East. The climate culture was the same as that produced Madame Blavatsky and Theosophy. The spiritual journey of
Rerich can also be summarized by the story of his relations, in no particular order include those with Vivekananda, Tagore with with Krishnamurti and, of particular interest to our magazine, with the buddhologo Sherbatskij.

In the main body of the book, some color plates are good examples of painting Rerich that Elémire Zolla down sharply: "... ascetic, adamantine, but at the same time hallucinatory intensity "(p.21).

Louis Turinese


In pictures: "old rose"

Review appeared in the "Books" to " PARAM, Notebooks for the practice of Buddhism and dialogue " , Year XIII, No 50, April-June 1994